Disorienting Politics: Chimerican Media and Transpacific Entanglements
In Praise of the Criminal Imagination
The Afro-Asian International: Black Left Feminists and China in the Age of Bandung
The Return of the Third World
Henry Steiner’s Hong Kong
Glad to the Brink of Fear: A Portrait of Ralph Waldo Emerson
Disturbing Proximities: Encounters with Animals in the Short Stories of Pu Songling and Edgar Allan Poe
Jing-you: The Genius of Lam Nin-tung’s Film Philosophy
Examining the Eurocentric Portrayals of the Chinese in Osbert Chadwick’s 1882 Reports on the Sanitary Condition of Hong Kong and Alternative Framings of Hong Kong’s Sanitation
The Neighborhood: Space, State, and Daily Life in a Manchurian City
Screening and Discussion of Self-Portrait: Dying at 47 KM with Director Zhang Mengqi
Anxiety Aesthetics: Maoist Legacies in China, 1978-1985
What remains? Presentation and Discussion of the Performance-Lecture (untitled) by Kai Tuchmann
Loves that Cannot be Named: Symbolic Subversions in Priya Sen’s Yeh Freedom Life
Everyday Reading: Middlebrow magazines and Book publishing in Post-Independence India
Affective Cosmopolitanism: Comparison Methodology and a Case Study
紀曉嵐在烏魯木齊 – Ji Xiaolan in Urumqi
Writing a Material History of ‘Society’ in Modern China
Form Follows Fever: Malaria and the Construction of Hong Kong, 1841–1849
Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters
Extremely Public Private Eros: Documentary Filmmaking and Feminist Movements in 1970s Japan
Leo Africanus Decolonised?
Fear of Seeing: A Poetics of Chinese Science Fiction
Analyzing Gendered Presence in Woman’s Films with Cinemetrics: A Case Study on 1980s’ Turkish Cinema
Cinema of Discontent: Representations of Japan’s High-Speed Growth
Foreign Languages Press and Littérature Chinoise: Paris as a Hub of Socialist Literary Networks during the Global Sixties
Screening of Ilm Ka Shehar (City of Knowledge) and Q&A with C. Yamini Krishna
(Inter)(in)animation, Apparatus, Archive: Onyeka Igwe and A Repertoire of Protest (No Dance, No Palaver)
A Life in Six Chapters (2022): Screening and Discussion with the Director S. Louisa Wei
The Iron Flood and its Manchurian Followers: Rethinking the “Northeastern Writers Group” in a Global Context
How It Feels: On Depression in Comics
Affective Spaces: The Cultural Politics of Emotion in China
