When the Modern Girl Meets Eileen Chang
Washrooms: Dialogic Spaces of Self, Gender, and Body in Eileen Chang’s Fiction
Traces of a Wild Swan: Eileen Chang in 1950s Hong Kong
Whatever Happened to Fatima? An Eileen Chang’s “Character” in Search of a Closure
How would Nora be a Mother?: The Absent “New Mother” in May Fourth China
Edward Lam on Eileen Chang and (the Disappearance of) Time
Affective Cosmopolitanism: Comparison Methodology and a Case Study
Impersonating Eileen Chang: A Translator’s (Im)possible Task of Bringing Home Her English Works
Layered Landscapes in Chronicle of a Strange Land
“Subtle Stirrings”: Xijie and Women in Eileen Chang’s Fiction
Impossible Trinity & Invisible Story Teller: A Creative Writing Approach to Eileen Chang’s Romances
Eileen Chang and Chinese Narrative Traditions
Flower of the Other Shore: Eileen Chang’s Border-crossing Literary Practice after the 1950s
Fallen Pagoda, Withered Flower: Forms of Love in Eileen Chang’s Literature
In the Light of the Window: Eileen Chang’s Interior Silhouette from the Revised Edition of Romances
Self-translation and the Notion of Filiality in Eileen Chang’s Fiction
Images, Clothing, and Boundaries: Eileen Chang’s An Album of Mutual Reflections and Others
The Imagination of “Eileen Chang” in Newspapers from Shanghai and Taiwan
Worlding Eileen Chang and Eileen Chang’s World
Wartime Soundscape in Eileen Chang’s Hong Kong Narratives
Like Buried Gold Sand: Women’s Life Stories Behind Little Reunions
Portrait of the Artist as a Young Woman: Eileen Chang at the University of Hong Kong
The Rice Sprout Song and 20th Century Chinese Fiction
《秧歌》與二十世紀中國小説
Transpacific Celebrity: Xiao Hong, Agnes Smedley, and Eileen Chang
The Translator as Traitor: Eileen Chang, Cheng Wai, and Splendor of Youth (1957)
