Asians on Demand: A Book Launch with Dr. Feng-Mei Heberer
One and All: The Logic of Chinese Sovereignty
The Taiwan Consensus and the Ethos of Area Studies in Pax Americana
Screening War in Russian and Chinese Nationalist Blockbusters
Formal Objects in the Anthropocene: Shell and Spiral
Screening of Shadowlands and Discussion with Producer Nida Kirmani
Creative Self-Referencing: writing crafts for our many selves
Reflections on the Discourses of a Chinese School of Comparative Literature and a Chinese School of Film
Love Boat: Taiwan – Screening and Discussion with the Director Valerie Soe
What Should The Method of Postcolonial Studies Be?
How to do things with words when publishing on performance?
Wu Jianren’s Hybrid Modernity: The Late Qing Intellectual Crisis as Reflected in The New Story of the Stone
Critically Engaging with International Human Rights Discourses and Related Ascendent Approaches to Support Sexuality-based Justice in Africa
To the Collector Belong the Spoils: Modernism and the Art of Appropriation
After Autonomy: A Post-Mortem for Hong Kong’s first Handover, 1997–2019
Shaping South Korea and its Ties with Hong Kong in Film Co-productions during the Height of the Cold War, 1950s-1970s
The Reincarnation of Li Xianglan’s Wartime Manchurian Legend in 1950s Hong Kong
Workshop: Queer Methods
Genre, History, and Transfer
Queer Data – Who Counts?
Transdisciplinary Global-Action-Labs: Lives of the Deltas, Critical Zones, and Connected Futures
Conceptualizing Queer TV China in the Post-2020 Years
From Social Visibility to Political Invisibility: The Ethnography of a School in Nationalist Taiwan
Intellectuals in Colonial Hong Kong: The Example of the Debate Around Hong Kong’s (and China’s) Future (1979-1984)
Everybody Seems at Seventeen: The Temporality of Queer Girlhood
Presenting Ozu: A Closer Look, A New Book by Kathe Geist
Before Religion: An Introduction to the Underlying Logic of Islamic Reformism
The Sentimental Life of International Law: A Conversation
Hamlet at the Himalayan Frontier
Archipelagic Capitalism in Monsoon Marketplace
“She pulled in her horizon like a great fish-net”: Zora Neale Hurston’s Displacement of Boasian Cultural Integration in Her Novel Their Eyes Were Watching God
