Foreign Languages Press and Littérature Chinoise: Paris as a Hub of Socialist Literary Networks during the Global Sixties 

Speaker:
Mélanie Shi, EHESS (School of Advanced Studies in the Social Sciences), Paris


Moderator:
Daniel Elam, Department of Comparative Literature, HKU


Date: Thursday, February 22, 2024
Time: 5:00 pm (Hong Kong Time)
Venue: Room 1069, 10/F, Run Run Shaw Tower, HKU

This talk examines the material socialist literary networks during the Cold War via collaborations between communist publishing houses in China and the ex-Soviet bloc and their confluence in 1960s Paris. I discuss the publication of Chinese books and their worldwide diffusion during the 1960s to 1980s, centred on the central publishing house of China, the Foreign Languages Press (FLP, or Presses en Langues Étrangères), which exported books about communist China to non-Chinese readers along with similar state-sanctioned publishing houses in the ex-Soviet bloc. The translation of writers nominated for the Mao Dun and Stalinist prizes circulated in and through Paris, residence of expatriate intellectuals from East Asia, the USSR, and Latin America, and expatriate librairies like Éditeurs RéunisLe PhénixLe Point du Jour, and Librairie You Feng promoted the translation and circulation of literature to French where it was then read by European leftists converging in the capital. The texts translated by the Foreign Language Presses promoted the image of a unified revolutionary socialism countering the West based on a network of socialist cosmopolitanism, that converged in Paris despite the pressure of French linguistic assimilation.

Beyond the consequences for Europe, a convenient geographical confluence, I show how the diffusion of socialist literature via Paris connected the Chinese socialists with writers from the Global South through the review Littérature Chinoise, which posited China as an ally to anti-colonial struggles in the ex-Francophone empire and Latin America. While both the FLP and Littérature Chinoise emitted publications directly to other countries, the convergence of intellectuals and expatriate librairies in Paris made it an intermediator between China/Russia and the “Global South.”

Mélanie Shi is pursuing a postgraduate degree at the École des Hautes Études en Sciences Sociales in Paris, France, and previously studied at Columbia University (English/Comparative Literature) for her BA and at Peking University. She has  written about orientalism in the 18th and 19th century European novel and then on the afterlife of “French Theory” via Sino-French literary and semiotic exchanges notably in the literary group Tel Quel’s voyage to Maoist China, and since then has become interested in the “actual China.” She is broadly interested, both literally and historically, in ideas from the 1960s, including Maoism, Lacanian analysis, the relation of expatriation and exophonic writing, and the Latin American left. Her current project examines the Foreign Languages Press (Presse en Langues Étrangères) in China and its role in a network of socialist literary cosmopolitan nodes spanning the USSR, the European left, and the global anti-capitalist anti-imperialist bloc and her ancillary project traces Jacques Derrida’s notions of cosmopolitanism and “geopsychoanalysis.”

Screening of Ilm Ka Shehar (City of Knowledge) and Q&A with C. Yamini Krishna

Moderator: Daniel Elam, Assistant Professor, Department of Comparative Literature, HKU

Date: Monday, February 19, 2024
Time: 5:30 pm Hong Kong Time
Venue: Room 3.01, 3/F, Run Run Shaw Tower, HKU

City of Knowledge is an essay film which examines the 19th century idea of knowledge characterized by the spirit of inclusivity, of making things accessible, of literatures, literary practices, and reading cultures, of open spaces. It traces the transformation of this idea to Knowledge City, a city based on the economy of byte sized information. It tells this story through small narratives from the city of Hyderabad, in the Deccan region of India. It features the work of modernist intellectual Dr. Syed Mohiuddin Qadri Zor of the Deccan. The film was funded through an archival grant from the Asia Art Archive – Shergil Sundaram Foundation.

C. Yamini Krishna works on film history, urban history, and Deccan history. She received her PhD from The English and Foreign Languages University, Hyderabad, in 2020. She is the recipient of grants from the India Foundation for the Arts (2023), Indian Council of Social Science Research (2023), Asia Art Archive – Shergil Sundaram Foundation (2022), and Satyajit Ray Film and Television Institute (2022), as well as of the Philip M Taylor Award for best article by a new researcher in media history (2021) and Charles Wallace India Trust fellowship (2017). Her work has been published in Urban History, the Historical Journal of Film Radio and Television, South Asia, and South Asian Popular Culture. Her co-edited volume Claims on the City: Situated Narratives of the Urban was published by Lexington Books in 2023. She currently teaches at FLAME University in India. Ilm Ka Shehar first started as a project of archival preservation and took new directions as a film.

Eileen Chang and Chinese Narrative Traditions

張愛玲與中國寫作傳統

分享嘉賓 Speaker: 王風 教授 Prof. WANG Feng (Peking U)
主持人 Moderator: 黃心村 教授 Prof. Nicole HUANG (HKU)

日期時間 Date & Time: February 7, 2024 (Wed) 16:30-18:00pm
語言 Language: 普通話 Putonghua
地點 Venue: CBA, Chow Yei Ching Building, Main Campus, HKU

摘要 Abstract:
張愛玲小說所汲取的資源,古今中外均有。但就本質而言,仍在中國自身的寫作傳統中生長。而其所偏重,卻在主動承繼作為市民消費品的古典白話小說,以及延續到現代的所謂通俗文學,同時對新文學表現出明顯的排斥。不過其作品形態,無疑還是精英文學,而被納入到新文學的敘事中。就小說類型的角度,她所喜讀的“社會小說”和小報等“雜纂”,是被作為“材料”來吸收。至於其寫作手法,則多取“世情小說”並加變化。尤其對《金瓶梅》、《紅樓夢》、《海上花列傳》有意識的繼承,構成她個人所追認的傳統。同時加上她自己的寫作,可看作某種“私類型”,或暫稱作“世態小說”。

Drawing upon diverse literary resources, from indigenous to foreign literatures at both ancient and modern times, Eileen Chang’s works of fiction were essentially rooted in the native Chinese writing tradition, with an inclination to voluntarily inherit the lineage of classical vernacular novels as a type of consumer goods for citizens as well as the so-called popular literature that stretched into modern times. Although Chang’s works manifested a strong repulsion for the New Literature, they were nonetheless admitted into the narrative of the New Literature due to their unmistakable tone of elite literature. From the perspective of novel genres, the “social novels” and the “miscellaneous compilations” like tabloids, which she personally enjoyed reading, were assimilated as “materials”. When it comes to writing techniques, she borrowed largely from the “secular novels” with certain modifications. In particular, she purposefully followed the examples of The Golden LotusDream of the Red Chamber, and Shanghai Flowers, which thereby constituted the tradition that she personally identified with. Combined with her own writings, it could be considered as a “private genre”, or provisionally referred to as “worldly fiction”.

講者簡介 About the Speaker:
王風  福州人,北京大學中文系教授,現代文學教研室主任,北京大學現代中國人文研究所副所長、中國昆劇古琴研究會常務理事。主要研究領域有中國近現代文學、學術史、文化史、古琴史、古琴器等,均有多篇重要論文。出版有《世運推移與文章興替》(北京大學出版社)、《琴學存稿》(重慶出版社)。輯校《廢名集》(全六卷),獲第二屆中國出版政府獎圖書獎。主編《曹禺全集》(全十一卷),協助鄭珉中先生編輯《故宮古琴》。

WANG Feng is Professor of Chinese Literature and Head of the Modern Chinese Literature section of the Department of Chinese, Peking University. He is also the Deputy Director of the Institute of Modern Chinese Humanities at Peking University. He is a long-time executive director of the China Kun Opera and Guqin Research Institute. He has published extensively on early modern and modern Chinese literature, cultural and intellectual history, history of guqin and other classical instruments. His recent works include the award-winning 6-volume Collected Works of Fei Ming, the 11-volume Complete Works of Cao Yu, and the co-edited Forbidden City: Guqin.

This event is held as part of the New Directions in Eileen Chang Studies Lecture Series |
張愛玲研究新方向講座系列 
Co-hosted by School of Chinese and Department of Comparative Literature, HKU
Co-sponsored by Louis Cha Fund for Chinese studies & East/West studies in the Faculty
& Center for the Study of Globalization and Cultures (CSGC)

(Inter)(in)animation, Apparatus, Archive: Onyeka Igwe and A Repertoire of Protest (No Dance, No Palaver)

Speaker:
Karen Redrobe
, Elliot and Roslyn Jaffe Professor in Cinema and Media Studies, University of Pennsylvania

Moderator:
Jean Ma, Mr. and Mrs. Hung Hing-Ying Professor in the Arts, Department of Comparative Literature, HKU

Date: Tuesday, February 6, 2024
Time: 4:45 pm Hong Kong Time
Venue: CBC, Chow Yei Ching Building, Main Campus, HKU

Postcolonial feminists have critiqued reparative impulses to “animate” the traces of those trapped in colonial archives using ventriloquizing strategies that seek to give voice or life to those rendered voiceless and fixed by colonial archiving strategies. In this presentation, an excerpt from my forthcoming book Undead: (Inter)(in)animation, Feminism, and the Art of War, I introduce the term “(inter)(in)animation,” a relational use of “animation” operating along a variable scale, to consider non-ventriloquizing animating options available to artists and scholars seeking to grapple with this weaponized place of fabrication and storage. The talk will foreground issues arising at the intersection of movement, “war” (what counts as war?), and the archive within the context of Onyeka Igwe’s 2023 installation A Repertoire of Protest (No Dance, No Palaver).

Karen Redrobe is Elliot and Roslyn Jaffe Professor in the Department of Cinema and Media Studies at the University of Pennsylvania. She is the author of Vanishing Women: Magic, Film, and Feminism and Crash: Cinema and the Politics of Speed and Stasis, and editor of Animating Film Theory. She has co-edited three volumes, Still Moving: Between Cinema and Photography with Jean Ma, On Writing With Photography, with Liliane Weissberg, and Deep Mediations: Thinking Space in Cinema and Digital Cultures with Jeff Scheible, which won SCMS’s Best Edited Collection Award. In addition to completing Undead: (Inter)(in)animation, Feminism, and the Art of War, she is collaborating with Kartik Nair on a co-edited volume entitled, Required Readings: Film Scholars on Freedom and Discipline in the Classroom.

A Life in Six Chapters (2022): Screening and Discussion with the Director S. Louisa Wei

Moderator:
Nicole Huang
, Professor, Department of Comparative Literature, HKU

Date: Friday, February 2, 2024
Screening: 4:30 pm (Hong Kong Time)

Languages & Subtitles of the film: Chinese & English
Discussion: 6:10 pm (Hong Kong Time)
Language of the discussion: English
Venue: Rayson Huang Theatre, Main Campus, HKU

In A Life in Six Chapters 蕭軍六記 (2022), documentary filmmaker S. Louisa Wei chronicles the life and works of a charismatic modern literary figure: Xiao Jun. She weaves his own accounts with recollections of his family members and close associates and places a richly layered personal narrative against monumental events that punctuated China’s long and violent twentieth century. The film spans more than 60 years from the 1920s to the 1980s, taking a tour of China’s literary scene, and introducing renowned writers like Lu Xun, Xiao Hong, Hu Feng, Ding Ling, Nie Gannu, Ai Qing, Lao She, and more. The film continues Wei’s long-time effort to preserve, reconstruct, and memorialize individual voices against the powerful forces that constantly threatened to render them silent.

S. Louisa Wei – Director & Writer

S. Louisa Wei is a Professor at the City University of Hong Kong, as well as an award-winning director, screenwriter and author. Her 2014 feature documentary Golden Gate Girls focuses on the life and works of Esther Eng, once honoured as the “first woman director of China.” Her 2019 film Havana Divas follows two female Cantonese opera singers and offers a window into over 170 years of Chinese migration to Cuba. She is currently editing a documentary on musician and singer-songwriter Cui Jian.

This event is co-organized by the Center for the Study of Globalization and Cultures, Department of Comparative Literature, and the School of Chinese in the Faculty of Arts at the University of Hong Kong.

The Iron Flood and its Manchurian Followers: Rethinking the “Northeastern Writers Group” in a Global Context

Speaker:
Professor Liu Dong
, Department of Chinese and History, City University of Hong Kong

Moderator:
Professor Daniel Elam
, Department of Comparative Literature, HKU

Date: Tuesday, January 30, 2024
Time: 10:30 am (Hong Kong Time)
Venue: Room 1069, 10/F, Run Run Shaw Tower, HKU

This lecture re-evaluates the literary phenomenon of the “Chinese Northeastern Writers Group,” a group of young writers who were both exiled from and wrote about Dongbei from the 1930s to the 1950s. Well-known group members include Xiao Hong, Xiao Jun, Duanmu Hongliang, and Luo Binji. Focusing on their moments of emergence into Chinese literary circles, this project intends to account for the astonishing similarities that exist in their literary debut and life decisions. Despite distinct upbringings and backgrounds, they all fell into the “rabbit hole” of the Chinese Communist Revolution (un)intentionally. Identifying them as biomarkers makes it possible to decipher the hidden networks that help channel the exchange among people and books, as well as the transmission of knowledge and information built by the Comintern, the Chinese Communist Party, and its peripheral organizations. Narratives authored by Dongbei writers testify to the multi-dimensional interactions between the Chinese (also Global) left-wing literature movement and the Communist Revolution.

LIU Dong is Assistant Professor in the Department of Chinese and History at the City University of Hong Kong. He received his Ph.D. from Peking University, where he was also awarded the Outstanding Doctoral Dissertation Award (2023). He specializes in the history of modern Chinese literature, while his research interests include Chinese leftist literature, Dongbei studies, and Sino-American cultural relations. He is currently working on his first project “The Cognitive Topos of the ‘Northeastern Writers Group’: Trans-local Circulations, (Inter-)nationalist Politics and Literary Production.” He is also compiling a collection of Hu Shih’s overseas correspondence.

How It Feels: On Depression in Comics

Book Talk by Kaitlin Chan

Date: Monday, January 29, 202
Time: 7:00 pm Hong Kong Time
Venue: Room 1069, 10/F, Run Run Shaw Tower, HKU

A slice of life graphic novel set in Hong Kong, Eric’s Sister explores creative doubt, the uneasy love between family members, and friendship as a salve in the aftermath of tragedy.

Lisa and her brother Eric are aspiring artists in their twenties. Lisa has always loved drawing, and Eric is a painter poised for a career breakthrough. But as they each struggle to make their mark, there is a disquieting undercurrent of what they can’t tell each other. Lisa has always played second fiddle to her brother, but how much longer can she feel like a supporting actor in her own life?

Kaitlin Chan is a cartoonist and gallery worker from Hong Kong. Her work has appeared in The New Yorker online, The Economist, Catapult, Oprah Daily, The Margins, Popula, and elsewhere. In 2021, she was shortlisted for the Cartoonist Studio Prize in webcomics. Eric’s Sister is her first book. https://kaitlinchan.com/

Affective Spaces: The Cultural Politics of Emotion in China

Speaker:
Professor Shih-Diing Liu
, Department of Communication, University of Macau

Moderator:
Dr. Daniel Vukovich
, Chair, Department of Comparative Literature, HKU

Date: Friday, January 26, 2024
Time: 5:00 pm (Hong Kong Time)
Venue: Room 1069, 10/F, Run Run Shaw Tower, HKU, and on Zoom

The growing political conflicts unfolding in China provide an opportunity for rethinking the cultural politics of emotion. Although the political formations in the region can be laden with a multitude of emotions, they tend to be poorly understood. In their forthcoming book, Affective Spaces: The Cultural Politics of Emotion in China, Shih-Diing Liu and Wei Shi explain why affect and emotion matter to politics from Mao Zedong to the present. The book investigates the dynamics of political passions and the contexts from which emotional subjects engage in hegemonic struggles through the creation of various cultural forms, including Maoist art and popular films. We argue that cultural feelings and emotional experiences are crucial for understanding political struggle, as well as debates about the cultural dilemma of the Chinese Dream.

Shih-Diing Liu is Professor of Communication at the University of Macau. His research has appeared in Positions, Social Movement Studies, New Media and Society, and New Left Review. He is the author of The Politics of People: Protest Cultures in China (State University of New York Press, 2019).

CSGC Events Spring 2024

MAY 16 | THU | 4:30 PM (HKT) | SEMINAR
Affective Cosmopolitanism: Comparison Methodology and a Case Study
Speaker: Sijia Yao, Assistant Professor of Chinese Language and Culture, Soka University of America
Moderator: Alvin K. Wong, Assistant Professor, Department of Comparative Literature, HKU

MAY 6 | MON | 4:30 PM (HKT) | SEMINAR
紀曉嵐在烏魯木齊
Ji Xiaolan in Urumqi
講者 Speaker: 羅新 教授 Professor Luo Xin, Peking University
主持人 Moderator: 徐國琦 教授 Professor Xu Guoqi, The University of Hong Kong

MAY 2 | THU | 4:30 PM (HKT) | SEMINAR
Writing a Material History of ‘Society’ in Modern China
Speaker: Tani Barlow, George & Nancy Rupp Professor of Humanities, Department of History, Rice University
Moderators:
Su Yun Kim, Associate Professor, Korean Studies, SMLC, The University of Hong Kong
Daniel Elam, Assistant Professor, Comparative Literature, The University of Hong Kong

APR 15 | MON | 5:00 PM (HKT) | SEMINAR
Form Follows Fever: Malaria and the Construction of Hong Kong, 1841–1849
Speaker: Chris Cowell, London South Bank University
Introduction: John Carroll, Department of History, HKU
Respondents:
Jenny Chak, MPhil Candidate in Comparative Literature, HKU
Lory Wong, PhD Candidate in Comparative Literature, HKU
Moderator: Daniel Elam, Department of Comparative Literature, HKU

APR 8 | MON | 10:00 AM (HKT) | SEMINAR
Paris and the Art of Transposition: Early Twentieth Century Sino-French Encounters
Speaker: Angie Chau, Assistant Professor of Chinese Literature and Film, University of Victoria
Moderator: Alvin K. Wong, Assistant Professor, Department of Comparative Literature, HKU

APR 2 | TUE | 4:45 PM (HKT) | SEMINAR
Extremely Public Private Eros: Documentary Filmmaking and Feminist Movements in 1970s Japan
Speaker: Chika Kinoshita, Professor of Film Studies, Graduate School of Human and Environmental Studies, Kyoto University
Moderator: Jean Ma, Mr. and Mrs. Hung Hing-Ying Professor in the Arts, Department of Comparative Literature, HKU

MAR 11 | MON | 5:00 PM (HKT) | SEMINAR
Leo Africanus Decolonised?
Speaker: Anthony Ossa-Richardson, Lecturer in English Literature, UCL
Moderator: Beth Harper, Assistant Professor, Department of Comparative Literature, HKU

MAR 7 | THU | 4:30 PM (HKT) | SEMINAR
Fear of Seeing: A Poetics of Chinese Science Fiction
Speaker: Mingwei Song, Professor of Chinese Literature, Wellesley College
Moderator: Pei-yin Lin, Associate Professor, School of Chinese, HKU

FEB 28 | WED | 5:00 PM (HKT) | SEMINAR
Analyzing Gendered Presence in Woman’s Films with Cinemetrics: A Case Study on 1980s’ Turkish Cinema
Speaker: Dr. Serkan Şavk, Department of Cinema and Digital Media, Izmir University of Economics
Moderator: Dr. Peter J. Cobb, Assistant Professor, School of Humanities, HKU

FEB 26 | MON | 10:00 AM (HKT) | SEMINAR
Cinema of Discontent: Representations of Japan’s High-Speed Growth
Speaker: Tomoyuki Sasaki, Professor of Japanese Studies, College of William & Mary
Moderator: Alvin K. Wong, Assistant Professor, Department of Comparative Literature, HKU

FEB 22 | THU | 5:00 PM (HKT) | SEMINAR
Foreign Languages Press and Littérature Chinoise: Paris as a Hub of Socialist Literary Networks during the Global Sixties
Speaker: Mélanie Shi, EHESS (School of Advanced Studies in the Social Sciences), Paris
Moderator: Professor Daniel Elam, Department of Comparative Literature, HKU

FEB 19 | MON | 5:30 PM (HKT) | SCREENING & DISCUSSION
Screening of Ilm Ka Shehar (City of Knowledge) and Q&A with C. Yamini Krishna
Speaker: C. Yamini Krishna, FLAME University, India
Moderator: Professor Daniel Elam, Department of Comparative Literature, HKU

FEB 6 | TUE | 4:45 PM (HKT) | SEMINAR
(Inter)(in)animation, Apparatus, Archive: Onyeka Igwe and A Repertoire of Protest (No Dance, No Palaver)
Speaker: Karen Redrobe, Elliot and Roslyn Jaffe Professor in Cinema and Media Studies, University of Pennsylvania
Moderator: Jean Ma, Mr. and Mrs. Hung Hing-Ying Professor in the Arts, Department of Comparative Literature, HKU

FEB 2 | FRI | 4:30 PM (HKT) | SCREENING & DISCUSSION
A Life in Six Chapters (2022): Screening and Discussion with the Director S. Louisa Wei
Moderator: Nicole Huang, Professor, Department of Comparative Literature, HKU

JAN 30 | TUE | 10:30 AM (HKT) | SEMINAR
The Iron Flood and its Manchurian Followers: Rethinking the “Northeastern Writers Group” in a Global Context
Speaker: Professor Liu Dong, Department of Chinese and History, City University of Hong Kong
Moderator: Professor Daniel Elam, Department of Comparative Literature, HKU

JAN 29 | MON | 7:00 PM (HKT) | BOOK LAUNCH
How It Feels: On Depression in Comics
Book Talk by Kaitlin Chan

JAN 26 | FRI | 5:00 PM (HKT) | SEMINAR
Affective Spaces: The Cultural Politics of Emotion in China
Speaker: Professor Shih-Diing Liu, Department of Communication, University of Macau
Moderator: Dr. Daniel Vukovich, Chair, Department of Comparative Literature, HKU

For updates on future events hosted by the Center for the Study of Globalization and Cultures, please visit https://csgchku.wordpress.com/

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Queer Sinophone Cultures: A 10th Anniversary Conference

Date: Friday, December 22, 2023
Time: 9:00 am to 6:15 pm (Hong Kong Time)
Venue: Run Run Shaw Tower, Centennial Campus, The University of Hong Kong

The Conference is in face-to-face mode only.

Hosted by the Department of Comparative Literature and Center for the Study of Globalization and Cultures at the University of Hong Kong, and cosponsored by the Louis Cha Fund for Chinese Studies and East/West Studies, the Center for Taiwan Studies and the Lai Ho and Wu Cho-liu Endowment, University of California, Santa Barbara, and the Australian Centre on China in the World, Australian National University.

Registration (9:00-9:15am)
Welcome speech (Daniel Vukovich, Chair, Department of Comparative Literature) (9:15-9:20am)
Opening remarks by co-organizers (Ari Heinrich, Howard Chiang, and Alvin K. Wong) (9:20-9:30am)

Panel 1 (9:30-11:00am) | Queer Sinophone Geopolitics and Critique
— Howard Chiang (University of California, Santa Barbara): “The Moving Grounds of Queer Sinophone Taiwan”
Eva Cheuk-Yin Li (Lancaster University): “The Geopolitics of Queer Archives: Contested Chineseness and Queer Sinophone Affiliations between Hong Kong and Taiwan”
Pip Freestone (Hong Kong University of Science and Technology): “Deconstructing ‘Chinese’ Queer Sinophone Identity Performance through a 老外 (Laowai) Immigrant Lens”
Moderator: Alvin K. Wong

Coffee break (11:00am-11:10am)

Panel 2 (11:10am-12:40pm) | Queer Sinophone Visuality
Ari Heinrich (Australian National University): “Biohazards at the Biennale: Jes Fan and Decolonial Thinking at the 2020 Sydney Biennale”
EK Tan (Stony Brook University): “Queer Detours and Affective Labor: Transpacific Archiving of Esther Eng’s Life and Work”
Kai Hang Cheang (Portland State University): “Thinking Trans with Queer Sinophone Television: A Case Study from 21st Century Hong Kong”
Moderator: Jean Ma

Lunch break (12:50pm-2:20pm)

Panel 3 (2:30-4:00pm) | Queer Sinophone Fandom and the Digital Turn
Chloe Yap (Monash University): “Queer Digital Sinophone Malaysia: Exploring Internet-mediated Reconfigurations of Queer Malaysian Chinese Subjectivity at the Millennial Turn”
Ella Mei Ting Li (Chinese University of Hong Kong): “Towards a Queer Affective Community in Hong Kong: A Case Study of the Shipping Fandom of Mirror”
Lucetta Kam (Hong Kong Baptist University): “Fandom, Migration and Sinophone Queer Studies”
Moderator: Jason Coe

Coffee break (4:00pm-4:10pm)

Panel 4 (4:10-5:40pm) | Queer Migration and Affective Labor across the Sinophone World
Xu Hangping (University of California, Santa Barbara): “Toward a Queer-Crip Ethic of Care: I (and We) Don’t Want to Sleep Alone”
— Alvin K. Wong (The University of Hong Kong): “Queer Sinophone Intimacies”
— Tze-lan Sang (Michigan State University): “The Diasporic Queer Subject in Hebei Taipei
Moderator: Nicholas Y. H. Wong

Roundtable and Concluding Remarks (5:40-6:15pm)