Global Sexualities: Weimar Berlin and the Birth of a Global Sexology

In March 1919, Magnus Hirschfeld, a pioneering sexologist and homosexual rights activist, opened the Institute of Sexual Science in central Berlin. Recognized as the first of its kind, the Institute became an international magnet, attracting both medical professionals and curious visitors from all over Europe, the Americas, and East Asia. Until Nazis destroyed the Institute in the spring of 1933, Hirschfeld and his colleagues conducted research and counseled patients. This included personalized advice on birth control, on sexual intimacy, and on strategies for coping with homosexual desire. For male and female cross-dressers, who adopted what today might be described as trans identities, the Institute pioneered hormonal treatments and gender confirmation surgery. Members of the Institute not only published their research in scientific journals but also popularized their work in print and film media. Despite its relatively brief twelve-year existence, the Berlin Institute became a global inspiration for future such programs, including the American Kinsey Institute, founded in 1947.

Date: Thursday, 18th April, 2019
Time: 6-7:30 PM
Venue: 4.36, 4/f Sir Run Run Shaw Tower, Centennial Campus, HKU

Speaker’s bio:

Dr. Robert Beachy received his PhD in European history at the University of Chicago in 1998. He has taught at Wake Forest University, Goucher College, and since 2014 as Associate Professor of History at Underwood International College of Yonsei University.  He is the recipient of numerous fellowships and prizes, including a John S. Guggenheim Memorial Foundation Fellowship, residential fellowships at the National Humanities Center (Duke, NC), and the Center for the Advanced Study of the Behavioral Sciences at Stanford University. Dr. Beachy’s first book, The Soul of Commerce: Credit, Property, and Politics in Leipzig, 1750- 1840 (Brill, 2005) examined the role of early modern social ties and commercial culture in shaping political reform in Germany. Most recently, he published Gay Berlin: Birthplace of a Modern Identity (Knopf, 2014; Vintage PB, 2015), which won the Randy Shilts Award and has since appeared in German and Italian translations. He is now working on a monograph about the Nazi persecution of homosexuals.

Melon Conference @ HKU: Women in Science Fiction

Speakers: Jo Walton, Aliette de Bodard, Regina Kanyu Wang, Rebecca F. Kuang

Speakers’ bio:
Jo Walton
Jo Walton is author of 13 Sci-Fi and fantasy novels, with her latest, Lent, due out in May. She has won many awards including Hugo and Nebula awards for Among Others, and the Tiptree Award for My Real Children in 2015. Jo is from Wales, but emigrated to Montreal in Canada in 2002. She plans to live to be 99 and write a book every year.

Aliette de Bodard
Aliette de Bodard lives and works in Paris. She is the author of the critically acclaimed Obsidian and Blood trilogy of Aztec noir fantasies, as well as numerous short stories that have garnered her two Nebula Awards, a Locus Award and two British Science Fiction Association Awards

Regina Kanyu Wang
Regina Kanyu Want is a bilingual writer from Shanghai, and graduate of Fudan University. She is a member of Shanghai Writer’s Association and the World Chinese Sci-Fi Association, and has been invited as a guest of Shanghai-Taipei Literary camp, the Euro-Asia Economic Forum and Sun Yat-Sen University Writing Residency.

Rebecca F. Kuang
Rebecca F. Kuang was born in Guangzhou, emigrated to the US in 2000, and has a BA from Georgetown University. Her debut novel The Poppy War was published by Harper Voyager in 2018 and was a Goodreads Choice Awards Finalist and one of Time’s Best Books of 2018. The sequel The Dragon Republic comes out in August

Moderators:
Dr. Alvin Wong, Department of Comparative Literature, HKU
Mr. William Lau, English Language Centre, The Hong Kong Polytechnic University

Date: Friday 22 March 2019
Time: 4-6 PM
Venue: 4.36, 4/F, Sir Run Run Shaw Tower, Centennial Campus, HKU
 
Register at goo.gl/WPVK1x for a chance to win free tickets to Melon 2019: Aliens on the Galactic Silk Road!

For more information on Melon, please visit http://www.melon-x.com/

The Art of Film Festival Programming

How do films circulate internationally and what role do film markets, film festivals, and film venues play in this
phenomenon?

Three programmers who specialise in Asian cinema will discuss these
matters along with their individual strategies, training, and success
stories during this special panel. All three panelists are in Hong Kong for Filmart and the Hong Kong International Film Festival so particular attention will be given as to how these two events empower them to do what they do more effectively.

Speakers:
Dr Elena Pollacchi
Elena Pollacchi is Lecturer in Chinese Studies. She has taught courses on Chinese cinema and culture at Ca’ Foscari University of Venice (Italy) and at Gothenburg University (Sweden). She is also programmer for Chinese and South Korean film at the Venice International Film Festival. Her research encompasses the Chinese film market in its transnational connections, Chinese documentary film, and film festivals. Her recent publications include chapters in Chinese Film Festivals: Sites of Translation (eds. C. Berry, L. Robinson, Palgrave Macmillan 2017), Taiwan Cinema: International Reception and Social Change (eds. K. Chiu, M. Rawnsley, G. Rawnsley, Routledge, 2017) and Screening China’s Soft Power (P. Voci, L.Hui; Routledge, 2018), and the article “Extracting narratives from reality: Wang Bing’s counter-narrative of the China Dream” for the Journal of Documentary Studies (Special Issue: Engagement, Witnessing and Activism: Independent Chinese Documentary Filmmakers Different Positions, Approaches and Aesthetics), 11:3 (2017).

Prof Andrew Willis
Andy Willis is Professor of Film Studies at the University of Salford, Senior Visiting Curator: Film at HOME in Manchester, and a founder member of The Chinese Film Forum UK. He has written widely on film related topics with a special interest in popular cinemas and UK distribution and exhibition trends. He has curated numerous film seasons including Visible Secrets: Hong Kong’s Women Filmmakers (2009) and CRIME: Hong Kong Style (2016).

Mr Samuel Jamier
Samuel Jamier is the Executive Director of the critically-acclaimed New York Asian Film Festival, which is known for its outstanding selection of entertainment and arthouse films. He was previously the chief programmer for the Japan Society and was in charge of the Japan Cuts Film Festival. Highly knowledgeable and familiar with Asian films and regional industries, Jamier was in Singapore as part of the recently concluded SGIFF 2018, where he served as an International Advisor on the Silver Screen Awards Panel.

Moderator: Dr Aaron Han Joon Magnan-Park, Department of Comparative Literature, HKU

Date: Wednesday 20 March 2019
Time: 2:30-4:30pm
Venue: CPD LG.08, Centennial Campus, HKU
 
All are welcome.